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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds in 1977

The talented musician, one half of the innovative 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is considered a classic of electronic music.

He subsequently formed the innovative electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I ended up damage myself significantly," he stated in 2023. "I fractured lower vertebrae in my back and cracked about multiple ribs and broke my arm."

Following catching pneumonia and developing blood poisoning, he was placed in an induced coma and stayed in hospital for half a year.

However, he had been in "a great place mentally" during the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for publication next year.

"He was focused and very pleased with the latest project that we actually completed only a few days ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the songs you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is different from being in a band, the connection is very tight," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He grew up in Blackpool with adoptive parents his caregivers, who changed his first name from Paul to David, alongside his sibling his sister, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and quickly recorded an extended play.

Creative Collaboration

The pair were an distinctive combination: Ball was the quiet musician, hunched over his keyboard, while Almond was a charismatic performer, all sparkle and makeup; but they attained a unique musical alchemy.

Ball had cultivated a fascination with electronic instruments after watching Kraftwerk appear on a television science show Tomorrow's World, and began to marry moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second biggest-selling single of 1981, shifting 21 million units worldwide. Together with hits by other artists, contemporary bands and electronic acts, it helped cleared the way for the synth-pop sound of the 80s.

The track was also featured on their full-length debut, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Professional Journey

Fame had its upsides. "I loved being able to afford my first home, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also presented problems. "Sudden riches allowed we could afford substances to relieve the monotony" of media interviews and television shows, Ball said.

"I realize that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to produce a follow-up classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before ending the group to focus on other projects.

Almond went on to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following another break, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, that year.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the duo's upcoming release as a tribute to the New York club scene they frequented while recording their initial records.

He added that his time in medical care had shaped the band's sound.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the sounds in my mind from those days.
"Simultaneously, it's about the times we had in the 1980s."

The final mixes were finished only days before Ball passed away. It is due for launch in the spring of 2026.

JJ
The writer

Jessica Jimenez

A seasoned mountaineer and gear tester with over 15 years of experience exploring trails worldwide.

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